In the words of Audre Lorde, “If I didn’t define myself for myself, I would be crunched into other people’s fantasies for me and eaten alive.”
Over the last few months, I’ve read countless critiques of Kathryn Stockett’s The Help, a creative work that falls short of providing an authentic black female voice. But unlike many of my peers, I never got upset. Stockett is a white woman, she can only write fantasies of black women’s truth. She owes us nothing. She’s a writer, and she can write as she sees fit. Despite this fact, thousands of powerful and intelligent black women have rallied to rip her work to shreds, signing petitions, writing articles, and catalyzing all sorts of intellectual hoopla in hopes that mainstream white audiences will recognize Stockett’s work as a failure. At the end of the day, we’ve failed. We’ve invested energy in critiques instead of empowerment. The book won’t change. The film will continue to draw acclaim. And thus, we’re back to where our focus should be: supporting black women telling our truths.
Below are ten women making moves in the film industry. In lieu of complaints, let’s pledge our money to fund their productions. Let’s tweet this article to spread the news. Let’s share these women’s endeavors on Facebook. Let’s use our blogs and media outlets to promote their work. Let’s be proactive in putting our stories on film instead of retroactively critiquing Hollywood’s failures.
We don’t need “more” black female filmmakers until we can support the women already here.
Ava DuVernay is the founder of AFFRM, the African-American Film Festival Releasing Movement, a new theatrical distribution entity that releases quality independent African-American films through simultaneous screenings in select cities. She directed the award-winning film, I Will Follow (2010), which tells the story of a black woman struggling with the death of a loved one as she moves out the home they once shared. DuVernay also directed and produced three network music documentaries: BET’s first original music documentary, “My Mic Sounds Nice,” a definitive history of female hip-hop artists, Essence’s two-hour concert film “Essence Music Festival 2010,” and TV One’s “Faith Through The Storm,” a documentary about women in New Orleans who have reclaimed their lives after personal devastation during Hurricane Katrina. Simply put, she’s a powerhouse, and needs your support. How you can help: Go to www.affrm.com and click “Join The Journey” for a variety of volunteer opportunities.
Nikyatu Jusu is a writer/director originally bred in Atlanta, Georgia, but pursuing a film career in New York. Fresh out of NYU with a MFA in Filmmaking, Nikyatu already touts a Director’s Guild Honorable Mention, HBO Short Film Award, and JT3 Artist Award for her short film, African Booty Scratcher. Her thesis film, Say Grace Before Drowning, premiered on HBO and tells the story of an 8-year-old black girl meeting her African Refugee mother–who is teetering on the brink of insanity–for the first time in six years. Currently, Nikyatu is working on a feature film about a suicidal man who assists others in completing their suicides entitled F*ck My Life. Sure to break many barriers and represent us in many genres, Nikyatu is a rising change maker in film. How you can help: Keep up with Nikyatu’s work at www.nikyatu.com and follow her on Twitter @nikyatu
Issa Rae is a graduate of Stanford University, where she produced and directed four theatrical productions, including two stage adaptations of Spike Lee Films. While at Stanford, she took time off to attend the New York Film academy to hone her filmmaking skills. Upon graduating, she produced various music videos and shorts. Her most popular web series, “The Misadventures of Awkward Black Girl,” just raised $56,259 on Kickstarter and touts almost a million views on YouTube. A true Internet sensation, Issa Rae and her production team self-funded the series prior to Kickstarter. In order to improve the production quality of the show, they’re still accepting support. How you can help: Go to www.awkwardblackgirl.com and click the “Donate” button.
Dee Rees is the director and writer behind Pariah, a black lesbian coming-of-age film that premiered at the 2011 Sundance Film Festival. She’s also written and directed several short films, including Orange Bow (centering on a teenage boy) and Colonial Gods (a story about a Somali and Nigerian man’s friendship). Dee’s work has aired on the BBC, and earned her a fellowship with the Tribeca Film Institute. How you can help: Show your support for Pariah on Facebook and look out for its theatrical release.
Yvonne Shirley is a MFA candidate at NYU’s Tisch School of the Arts graduate film program. She’s honed her talents and skills under the tutelage of Spike Lee and Sam Pollard, along with garnering various awards, including a Fox Television Scholarship and Warner Brothers Production grant. Yvonne is directing and producing a film entitled POSES, which tells the story of a picture-perfect black family that deals with an intersection of race, class, and sexuality. How you can help: Yvonne has raised $1,140 out of $15,000 to fund the film, but needs the support of women like you to complete it. Go to POSES’ IndieGoGo campaign to pledge your support.
Tracy Taylor is an award winning writer, director and producer from Chicago, Illinois. Her film, Walking Sunshine, won the 2004 BET Rap-It-Up/Black AIDS short film competition, was nominated for a 2005 NAACP Image Award, and won the 2005 Cable Positive award for “Outstanding Original Movie.” Tracy also directs and produces the web series “The New Twenties,” which examines the lives of 30-something-year old friends that are navigating through real world issues they had not faced in their twenties. How you can help: Watch “The New Twenties” and share the videos online!
Alexis Casson is a director, cinematographer, and editor. She was raised by a mother who has an undying love for the power of education and art. After graduating from Wesley College in 2008, she co-founded The Artchitects with DJ Mursi Layne, an artist collective that offers services such as videography, photography, and post-production. Currently, she’s directing Mix, Match, and Blend, a documentary about five female deejays and their experiences with sexism, succeeding in a male-dominated industry, and balancing family/relationships. How you can help: Show some love to The Artchitects on Facebook and follow their work on Twitter @theartchitects.
Maureen Aladin, Ella Turenne, and Jessica Hartley are the founders of SistaPAC Productions, an entertainment production company that focuses on film, television, new and interactive media. Together, the three women wrote, directed, and produced “Kindred,” a dramatic web series focused on three black women tackling life-changing issues such as sexual harassment, infidelity, drug abuse, deadly diseases, racism, and homosexuality. Like many writers, Maureen, Ella, and Jessica experienced a polite rejection from a major network saying “we like the writing, but the series just isn’t a fit for our network at the moment.” Determined to bring “Kindred” to life, the women launched the series online but haven’t been able to produce additional episodes in over a year. How you can help: Write and tweet your support for “Kindred” to SistaPAC on Facebook and Twitter @kindredseries. Stay tuned for production updates.
Thanks very much for this informative article, Ms. Loren. Last week in the midst of all the “hoopla” about The Help, we created a Facebook page called “Helping Ourselves” where we’re posting books, movies, plays by and about black women that we love and that we’d like to see published, produced, etc. I’ve just posted your article on our page and invite you and other to take a look, “like” us and post suggestions.
Search for us under “Helping Ourselves” (listed as a “cause”) and at
https://www.facebook.com/#!/pages/Helping-Ourselves/124115357685135
A’Lelia Bundles
http://www.aleliabundles.com
Thank you, Ms. Loren for this very informative article. A week ago we created the “Helping Ourselves” Facebook page to share books, movies, plays and documentaries that we love and books, movies, etc that we’d like to see published and produced by and about black women. I’ve just posted a link to this article to the page and invite you and your readers to visit our page and share your suggestions.
Search on FB for “Helping Ourselves,” which is listed as a “cause” or click on
https://www.facebook.com/alelia.bundles#!/pages/Helping-Ourselves/124115357685135
A’Lelia Bundles
http://www.aleliabundles.com
This clears up all the TV/film skepticism/pessimism/cynicism/worries/definitely-seeking-out-independent-projects-from-now-on chaos in my head.
Thanks Arielle (and commenters providing links). Keep up the great work, it keeps us fresh.
Love. Peace. And cheddar cheese.
Euzhan Palcy, who made the exquisite ‘Sugar Cane Alley’, hasn’t released a film since 2007.
dream hampton and Reagan Gomez.
[...] This post was Twitted by PerezMillas [...]
I’d like to add two awesome chicks to this list. They are currently making the new webseries “Queen Hussy” and also work as filmmakers at Double7 Images. Hannelore Williams and Nicole Sylvester.
Here are links to their Bios and their new show:
http://double7images.com/author/hannelore-williams
http://double7images.com/author/nicole-sylvester
https://www.facebook.com/TheQueenHussy
I will gladly give extra exposure to these very talented women of color. I look forward to see their stories on film. I’m just thankful they will not be the same stories told from a generation ago.
This article is awesome, and very encouraging! I’m more into theater than film, and I’d like to see an article about successful black women in that realm. Lynn Nottage is a very powerful figure.
To my friends and supporters, I am diligently working on a major horror film project that is slated to start production in Atlanta in August 2011. The film has a perfect blend of gore and humor with an ending that offers a perfect setup to a sequel option.
I am leading an investment campaign for 1124 Mark Productions who makes films that target all audiences with a mass appeal with well known cast members. I am currently seeking SERIOUS investors for this movie project.
If you’re interested (or can refer someone that might be interested) and want to learn more about this business opportunity, contact me by phone at (404) 897-3489 or email at 22dancopeland@gmail.com
I cannot express how much it pleases me to see “Kindred” recognized in this forum. It is a great series, and I hope to see it pick back up with the support of Clutch’s readers. SistaPAC has a reputation for creating the kinds of works that we wished were on television or on the silver screen. Let’s reward these sisters for producing quality programming. Often we complain that there need to be alternatives to what’s out, and as you can see in this post, there are plenty. Support them.
Here’s a trailer from a shooting star. I’m sure everyone on this page will appreciate the work of Phyllis Bancroft, former theater director, now film director.
http://campaign.r20.constantcontact.com/render?llr=l9jqm5cab&v=001IP2wby2XJMK-XrCHb2cRAWXJ57uT4kOOY7W9QhpYDNb9Vvuab2Nin_0LX6KVnG2iQi9o6p-3oVyB_9_j87hwQq9rvpBczqETzMbVxEci2gx-rjES1WWy5A%3D%3D
Wow! I commend these women for representing themselves on their own terms, as Hollywood doesn’t often get it right. I’m happy to see this, as I hadn’t heard of most of these women before. I’ll have to check them out. I’d like to mention that I also create music and comedy. I have a comedy web series on YouTube called “DeandraThaGurl Presents”. (Please check it out at http://www.youtube.com/DeandraThaGurl) I’m also writing a tv series that I hope to shop to networks.
Ernie’s Girls, http://www.erniesgirls.com, is funny, too. Please check it out! It’s also a female driven project.
Please know how much LIFE this post has given me. I’m a still image photographer, but I’m interested in film as well. The first paragraph in this post is poignant. Support those who share your vision instead of bashing those who simply cannot share your vision or your story. They can’t. So focus on those who can and help them be successful.
However, I do UNDERSTAND those who had rage or upset about The Help. Very few people are going to approach a project like that with a clear head because I don’t think it was meant for that anyway. It was designed to provoke, so that is the response that will occur. However, your clarity and focus in the first paragraph is where everyone should be intellectually and emotionally now that the steam has settled down. The focus should be on uplifting these talented Black women, IF in fact they are telling stories that we want to see, hear…experience. Our stories.
This is the best list post that I’ve read in a while. Thanks again. I’m very inspired.
[...] Second, but related, a white woman writing a book did not then and does not now resolve these things. But black women speaking their truth IS a form of resistance we have engaged in for years and years and years. And for years and years, even the crumbs of words we’ve been able to pass down in written and archival form, have often been mediated through the pens and minds of white women. And for years, black women historians, writers, artists and filmmakers have been creating works of history and art that truly do reflect the voices of the women in our lives and the genealogy we are descended from. And we scrape, save, beguile, cry and pray for support that we need to actually speak our minds. And, again, only crumbs–CRUMBS–of potential black girl genius have filtered into the mai…. [...]
Jennifer Harper, a very talented Screen writer and women of color in film has a major horror film project that is slated to start production in Atlanta, 2011. The film has a perfect blend of gore and humor with an ending that offers a perfect setup to a sequel option.
I am involved in an investment campaign for 1124 Mark Productions who makes films that target all audiences with a mass appeal with well known cast members. I am currently seeking SERIOUS investors for this movie project.
If you’re interested (or can refer someone that might be interested) and want to learn more about this business opportunity, contact me by phone at (424) 204.2203 or email @ angela@mypublicist.biz
One glaring omission is Tina Mabry. Other than that, great writeup.
Agreed. Tina Mabry, Caran Hartisfield, Sayeeda Clarke…These women have won numerous awards for their work. I’m so honored and humbled to be on this list…
Thanks. I will definitely support these women. I wish this article had over 250 comments.
There is a great trailer for an upcoming film from a new filmmaker, Phyllis Bancroft on October 2, 2011 at 11:00 pm EST. Check out the trailer at http://www.burnedthefilm.com