You are reading this online, so you are undoubtedly familiar with the nefariousness of trolls. Trolls, of course, being those who purposely provoke their audience, often through sexism, racism and other inflammatory actions. They are less concerned with the harm they cause than what they deem their personal “free speech.” Oh, and lulz…they do it for the lulz. Now, online trolls, like the recently-unmasked Violentacrez, known for running threads like Misogyny, Jewmerica, Jailbait and…wait for it…Niggerjailbait, rightly earn the enmity of all right-thinking people. But TV trolls earn huzzahs from mainstream critics and more viewers for their creative output. Just ask Ryan Murphy.

Murphy is a television screenwriter, director, and producer, know for work, including Nip/TuckThe New Normal, Glee and American Horror Story, which is now in its second season on F/X. American Horror Story is an homage to frights on film–a pastiche of tropes, classic horror scores and anything-can-happen, edge-of-the-seat shocks. Each season of the show introduces a new balls-to-the-wall storyline. This season, true-to-form, in just four episodes of American Horror Story: Asylum, Murphy has thrown us a serial killer; two demonic possessions and an exorcism; aliens; man-eating, forest-dwelling zombie thingies and a mutilating Nazi doctor. He has also assaulted us with his trademark casual racism, ableism and disregard for marginalized people.

Using off-hand slurs and un-PC narrative is as much a part of American Horror Story’s schtick as devil babies and overt sexuality. In season one, a scenery-chewing Jessica Lange, as Constance Langdon, spouted lines like “Why can’t you people just be content with having pets? Why must you subject an innocent child to your perversions?” (to a gay character)” and called her daughter with Down’s Syndrome “a Mongoloid.” This season, in episode three of the series, we are treated to Lange as Sister Jude, along with everyone else, referring to a Latina patient derisively as “The Mexican.” But it was with Wednesday’s episode of American Horror Story that Murphy cemented his trolling credentials. This week, who should be ushered in to the Briarcliff Mental Institution’s hellish halls, but Anne Frank (or at least a woman who claims to be Anne Frank), who has hidden her survival of Bergen-Belsen concentration camp so that her recently-published book can continue to inform the masses of the Holocaust’s horrors.

World War II and Nazism have been used as fodder for drama, and even comedy, before. But belittling evil men, as in say Hogan’s Heroes or Inglorious Basterds is different than appropriating the life of a young victim of evil men. What next? Will Emmett Till show up as an asylum orderly?

American Horror Story recappers seem to be titillated by all this. On Salon, J. Bryan Lowder wrote:

As far as I can tell, there’s no word in English (but probably one in German!) for the reaction that most recappers experienced when Anne Frank shuffled into Briarcliff last night—something  like gasping, cringing and being turned-on by the brashness of it all, simultaneously. Call me crass, but I just kind of took her arrival in stride; are we really surprised that Murphy would make a move like this in an already delightfully ridiculous show?

The problem is that Ryan Murphy uses “isms” not so much for character or plot development (The narrative doesn’t need Lange to call a patient with microcephaly a “pin head,” as it doesn’t need Anne Frank to out the background of the asylum’s resident doctor.). Murphy has no message to deliver that I can see. He does is all for no greater good that demonstrating American Horror Story’s clever edginess, to turn us on “by the brashness of it all.” He does it to provoke…or maybe for the lulz.

I am not convinced that this kind of manipulation is more worthwhile than an asinine Reddit subthread. It is certainly no more enjoyable for me.

Look, there are ugly people in the world. Of course there will be characters and story lines in art that reflect that ugliness. But racism and antisemitism and homophobia are not jokes–least of all to the people still subjected to them. The subjects, at least, ought to be handled with thought and care, not levied for crass attention-grabbing.

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  • Dee

    Yes, I was thinking the same thing last night when I saw an episode glee. One of the black characters said, “who want Justin Bieber hair?” and the white character said, “half black guys who can’t grow it.

    and the comment was so off hand. When the show first started I thought it was about these outcasts taking a stand, but what’s really happened is their just being bombarde with horrible comments. It’s supposed to be a comedy but that really got to me.

    • mEE

      …I thought the gLee joke was funny :-/. it was actually the only time I laughed during the entire episode.
      I mean did that comment bother you more than all the HORRIBLE things Sue said about Unique?

    • Dee

      Oh no, it all bothered me.

  • gmarie

    what? I don’t even get that joke lol. No wonder I haven’t watched Glee since season 2. Reaching and failing to be provocative…just give us good tv

  • Val

    “racism and antisemitism and homophobia…”

    Unfortunately, Tami, this kind of entertainment has become the norm, again. Many people ignore the hipster-racism on shows like 30 Rock and all of the adult cartoons on Fox, which in many minds is a green light to show more of it.

    • __A

      Yes. The queen of this kind of comedy is Chelsea Handler.

    • CenterLeft

      See all sorts of “groups” being made into laughing stocks and punching bags. Short, fat, “nose”, sexual orientation, foreign country, &c. It should be happening to all people or no people…

  • CeeCee

    I noticed that as well and it upset me for the rest of the episode.

  • Apple

    I thought maybe they were relating to how people in America talked in the 50/60s like insensitive misogynic homophobic anti semantic racist . But i think they are totally unnecessary and isn’t shocking but more cringe worthy and a bit irritating