black computer

I’m not a black artist, I’m an artist — Jean Michel Basquiat

After coming to terms with the “African-American Interest” section of Barnes and Noble, different variations of this quote haunted me. I found its remnants in Toni Morrison’s Playing in the Dark: Whiteness and the Literary Imagination and Skip Gates’ Signifying Monkey. I heard it echo whilst guidance counselors and English teachers lent me books, by authors they thought I’d one day aspire to be. I strolled the fiction section of the bookstore witnessing no partitioning of the genre, but “our” section. My biggest fear leaped from our isolated table, a lineage of contradictions aligned with one another, Toni next to Zane and “True to The Game” on top of T.D. Jakes:

What if they put me here?

What if I’m thrown into confinement, a crossover hand to never touch my pages? What if I’m Caribbean-American? What if I write about the war in Iraq? What if I become lost under an abundance of typo-ridden, half edited, urban novellas?

I was excited at first, when I realized that the section was gone, one day. My feet quickly made their way to the M’s of the fiction, eyes beckoning “Sula.” It wasn’t there, so I walked to the counter to inquire.

Inquiry: Hi! Can you tell me where I can find … ?

Response: Oh. We had to put all of your books behind the counter. You guys keep stealing them.

After I laid a NYC tongue lashing on her ass, I strolled downtown Brooklyn in a stupor. Something shameful cast over me, temporarily. (Let’s put the racism on hold, that’s for an entirely different post.) I was angry; because the cashier couldn’t tell the difference between the trashy urban lit, that the teenagers were slipping into their bags, when no one was looking, and one of the most revered authors of our time. I was hurt, because there was this division waiting for me to be hurled into. I would be punished, because I’d chosen to write about the brown skin I loved and the moments that petrified me. As an African-American writer, it would only be seen through that lens. There would be no correlation to the hurt we all feel when we’ve lost a loved one or a connection to the fragment we all sometimes become. Through their lens it would read as a black loved one or black fragment.  Well, when it came to publishers.

I fell into a coma of sorts, writing only for me. I cast the inklings of the book, I was working on, into a drawer and filled my personal journal instead.

One day, while taking the shelves in, I spied one of us …

Intermingled with the “feature” books was Junot Diaz’s The Brief Wondrous Life of Oscar Wao. (Well he’s Hispanic, but that’s close enough.) I devoured the manuscript morsel by morsel, only stalling for bathroom breaks and consumption of real sustenance. I was enthralled; Diaz was equipped with an infrequent equilibrium. He was a street smart intellectual, placing profanity parallel to footnotes on the history of the Dominican Republic; there was no box for him, he could not be pigeonholed.

I discovered other authors like this, a sub-culture of Afro-Nerd literature. (My mentor dubs the lineage.)

Colson Whitehead, Victor LaValle, Tayari Jones, etc …

Here were authors who ignored confinement. Through their words it seemed as if they were fearless and unheeding to the destiny usually slated for us. They spoke of the post-apocalypse, science fiction, and the dysfunction of the modern family through beguiling prose.

Well, hello there …

I was inspired. My inkling of a novel jumped out from its hiding place and I begun to write, like crazy. I spent hours pining over background and meticulous description …

The theme must be prevalent.

Gentrification, Afro-Caribbean, our demise and rise…  

All your characters must have meaning.

Melinda was lost without him; she trembled with a fear insurmountable to the earthquake that shook their home two summers ago.

Oh! Oh! Don’t forget metaphor.

I drove myself crazy. I didn’t realize how harmful this was until I looked up and realized that I didn’t enjoy writing anymore. I let the fear of the “black box” consume me. It was the final thing I had to conquer …

After worrying about my parents’ raised eyebrows …

After simmering love stories, so lovers wouldn’t think I’d experienced the instance …

After keeping characters neutral, so that they wouldn’t be recognized in reality …

After a fit of panic and an email to my mentor, I was put at ease. He was the only writer, I knew, unafraid of the masses’ opinion of his work.

His words w/ a few disturbances, in parentheses, from me:

“As far as what constitutes literature, that part is subjective… 

We all want to be… (Insert the names of the authors you idolize here). I feel you on that, and I respect you so much for aiming there. But I’ll let you in on a secret: they probably harbor strong insecurities about their own works and are elated beyond relief that critics tend to like what they do…

This is a new year and a new opportunity, and I have no doubts you will finish your book and be happy for your literary, yes literary, contribution.”

He’s right.

“Our deepest fear is not that we are inadequate. Our deepest fear is that we are powerful beyond measure.” –Marianne Williamson

I can’t let the secluded arena that big name publishers have built for us, define me. I can’t allow it to diminish something I’ve worked almost a decade to create.

Inadequacy is a myth and I’m all about debunking.

What’s your greatest fear?

  • Apple

    Well my greatest fear is hell but that’s on another astral plane . But umm if you want to afford the black box some authors make ambiguous covers to make it the mainstream shelves . There is this one black sci fi author who does it but I can’t remember a name, I heard someone say on the comment section of Clutch long ago

  • Val

    Sounds like we need more Black owned book stores.

  • Esta Fiesta

    I think a lot of us fear the “Black box” – I know I do!
    PS. I can’t WAIT for the entirely different post regarding the racist comment!

  • Ask_ME

    That won’t help. What this writer is complaining about goes much deeper than just bookstores.

    Her issue comes down to the marginalization of black literary authors. Once upon a time the black literary author was revered both inside and outside the black community. Now he/she is lucky if their book gets any attention at all.

    The black masses don’t read black literary fiction and the white masses won’t touch it if it’s in the black section of the bookstore. The only exception to this rule appears to be Toni Morrison, whose audience is mostly white. However, if Toni Morrison was a new author (instead of one that’s been around for decades) it’s very likely that her books wouldn’t get any attention at all.

    It’s not just a matter of being placed on the same shelves as Terri Wood and company by whites, it’s also the fear being completely ignored by blacks, who overwhelming tend to favor Terri Woods and company.

    Black people love books like The Coldest Winter Ever, but many will not pick up The Bluest Eye unless it’s required reading for school.

    The black literary author is FORCED to depend on non-black readers in order to get some recognition because the black masses today favor urban degradation over all others.

    Getting stuck on the shelf between the latest Sister Souljah book and the latest Terri Woods book doesn’t help literary authors. Therefore, it wouldn’t matter if there were more black bookstores. Again, black people collectively don’t read literary fiction and white people don’t visit black bookstores/black book shelves. Thus, black literary authors find themselves marginalized.

  • Val

    “Again, black people collectively don’t read literary fiction…”

    And where are your stats to back that up?

    I get your point but, I disagree. Obviously your definition of a Black owned bookstore is one that only sells books written by Black writers and only caters to Black people. That’s not mine.

    A Black owned bookstore can solve this problem since the owner may be more aware of how Black books are relegated to certain places in White owned bookstores.And then makes an effort not to do that.

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