MileyFrom The Grio – The video zones in on a pair of white women, who are openly disgusted by the size of a black woman’s derriere.

Somewhere in between that moment and right now, mainstream rap has switched its focus on white women from mockery to manipulation. It’s a cultural shift; one that has more detrimental effects than anyone cares to admit.

But as rap music and white women fade color lines with mutual exploitation, who is really winning?

“White girl” and it’s original meaning

“White girl” is a more recent euphemism for cocaine. Before rap shifted its tax bracket, cocaine was the primary means of income for many rappers, especially those who spearheaded the Coke Rap movement. There’s idolatry present in calling your moneymaker “white girl.”

In 2006, Gym Class Heroes released the track “Viva La White Girl” showing admiration for both the women and the drug in the form of a double entendre.

More recently, MDMA, rap’s latest drug of choice has been christened as “Molly,” a historically Caucasian name. It’s no coincidence that rappers connect these drugs with white women, and the events that followed since then have proven the change in tides for white women in the eyes of rappers.

Their participation in hip-hop, however, is compartmentalized. White female singer/songwriters like Dido, Skylar Grey, Lana Del Rey, and even to an extent Katy Perry have been placed upon a pedestal by rappers, collaborating with these women to either advance in the mainstream or gain their “intellectually interesting” card.

It’s a mutually beneficial relationship, deeply rooted in wishing for acceptance from either side. It turns toxic when there is one-sided artistry happening or no artistry at all, along with the sexual innuendo of fetish on behalf of either party.

Miley is more of the same

In April, Disney pop alum Miley Cyrus released a video of herself in a unicorn costume doing the suggestive hip-hop dance known as twerking.

The initial “that white girl can dance” was chased with months of melanin-deficient copycats creating their own twerking videos (producer Diplo even held a contest) until Miley surfaced again in June to twerk on stage to rapper Juicy J’s “Reaction.”

Now, the Golden Girls-esque reality TV show Golden Sisters is releasing videos with senior citizen cast members twerking, and Access Hollywood is referring to it as “the latest dance craze.” Miley is dancing no differently than 2 Live Crew’s dancers did in 1990, when Banned In the USA had Tipper Gore on proverbial suicide watch. The face has paled so the pass has been given. Are white girls the gateway drug to eliminating censorship? No. They just presently set the tone for all of black culture. That’s all.

(Continue Reading @ The Grio..)

  • KKay

    So true, LOL. Although I consider them smokejumpers.

  • http://gravatar.com/designdiva40 paintgurl40

    I can’t stand this double standard: when non-black people do something, it’s considered cute and trendy, but when WE do it it’s trashy and ghetto. I remember when black women had crazy nail designs in the 90′s and it was called “ghetto”, trashy and non professional. Now that the white women and Japanese are doing it, it’s nail ART and fun!

  • jaebee81

    “Rappers adjusted with white and latina girls who gladly took black girls place, for less money, with a smile. Now, you all are complaining because black girls aren’t in these videos? “Throws hands up” smmfh”

    You must be REALLY young to believe that the replacement of black women as video “models” JUST started happening as of 2008. And no, dark black girls DID NOT control music videos prior to that.

  • Billy boson

    2LiveCrew did all this 20+ years ago. Twerking is something new?

  • http://twitter.com/JumpJunkieJoe Geechee Goddess (@JumpJunkieJoe)

    Just a correction, Travis McCoy said that that song is about neither cocaine nor white women.

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